The act quickly became famous, headlining events across the country, and touring England as well. Well versed in both Buck and Wing dancing and Irish Step dancing, Robinson joined the Vaudeville circuit in 1902 in a duo with George W. The duo performed a "Class Act", a routine in which the performers wore tuxedos, effectively distinguishing them from the older minstrel show concept of tap dancers as "grinning-and-dancing clowns." Īnother notable figure during this period is Bill "Bojangles" Robinson, a protégé of Alice Whitman of The Whitman Sisters around 1904 (then known as "Willie Robinson"). One such duo was "Buck and Bubbles," which consisted of John "Bubbles" Sublett tap dancing and Ford "Buck" Washington playing a piano. Due to Vaudeville's unspoken "two-colored rule", which forbade blacks to perform solo, many Vaudeville tap acts were duets. Īs minstrel shows began to decline in popularity, tap dance moved to the increasingly popular Vaudeville stage. Tap dance then became a popular stage entertainment. These fused and evolved into a form of dance called "jigging", which was taken up by minstrel show dancers in the 1800s. Tap dance is an indigenous American dance form with roots that go back 300 years to British and West African musical and step dance traditions. History Jimmy Slyde tap dancing Students performing a tap dance in Mexico City There are different brands of shoes which sometimes differ in the way they sound.
The sound is made by shoes that have a metal "tap" on the heel and toe. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition. Broadway tap focuses on dance it is widely performed in musical theater. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Type of dance involving percussive shoes Tap dancing class at Iowa State College, 1942
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